The colours have been selected and production has begun on the Round 3 of the 12 Blueprints Test Drape collection. Nine sets are made in each Round after which colours and textiles are reevaluated.
First, please allow me answer a question that I have been asked.
Why don’t I teach with the drapes I make?
After analyst training courses were offered once again in February, 2013, with 2 to 5 new colour analysts per month since, the drapes have sold faster than I could make them. Now that I’m caught up, I will be adding to my Sci\ART drape sets to merge them with the 12 Blueprints drapes. The Key, 4 Test, and Red Drapes will remain the same. The only change will be adding to the 12 Test sets to bring them up to 6 drapes of same colours, rather than the present 3 of varying colours.
Secondly, the Sci/ART drapes are among a very small number assembled by a Munsell Master Colorist. Students should have the opportunity to use them, giving them a sense of the history of our profession, and a comparison with the drapes they will use in their own businesses.
I was trained with Terry’s Sci\ART drapes, quite different from the sets I purchased two months later. No transition time was necessary. Therefore, I didn’t feel that teaching with the exact sets the new analysts would be using was a priority. The order of use and decision-making processes are identical.
There are drapes collections in Canada and the US. European students take their drapes home with them. Though we do use them for the course as the student wishes, unpacking them and repacking them for airplane journeys is a process in itself. Like maps, they never pack up as clean and flat as the first time.
I have taught with the Round 1 drapes and used the Round 2 sets. Both performed perfectly well.
What’s New in Test Drapes Round 3
Already, the 12 Blueprints Test Drapes have no precedent. Improvements will continue to come on board with each Round of production. Terry and I are carefully studying the borders of the Seasons in terms of their boundaries in colour space. I doubt that either of us anticipated how truly fascinating and eye-opening the journey would be.
The Red Test Drapes have seen the biggest change. Previous sets were modeled after the Sci\ART drapes, with a cool, warm, and a neutral drape, either as warm neutral or cool neutral. In Round 3, both warm-neutral and cool-neutral are now present in each of the 4 Red Test sets, along with the pure warm and pure cool colours. Also, all 8 Neutral Seasons are represented in the 8 neutral drapes so every Neutral Season client should resonate highly with at least 1 of the 8. They are working beautifully.
Colour comparisons are more exciting than ever. Tolerances for specific colour dimensions may be tighter. More than anything else, I’m especially proud of the plasticity of these drapes. Based on our solid belief that colour analysis is entirely dependent on relationships and comparisons, we aimed to express the 3-dimensional truth of every colour. However the analyst moves in colour space or in the algorithm of the analysis process, this colour series will provide a powerful platform for her/his decisions.
Stunning and beautiful fabrics are used in the Red Drape and 12 Test series. This has been true in previous sets, though more so now, as we gain experience, skill, and confirmation from watching the drapes perform.
Broadcloth continues as the basis for the 4 Test sets to give all analysts standardized colours and to take advantage of the variety and consistent availability in those colours.
With additions to the Red Test series, the collection now comprises 112 drapes, not 108.
For Analysts with Round 1 and 2 Sets
If you’ve already bought drapes and would like to expand your Reds to contain both a warm and cool neutral, email me and we’ll figure out what you have and what you need. We’ll work together to provide you with exactly what you want, ASAP.
You’re not missing out if you don’t. My Sci\ART sets served as the models for to the Rounds 1 and 2 sets, and have served me well for 4 years. Adding more bells and buttons to a car doesn’t mean it drives itself. Sometimes more is just more. Whether there are 3 or 4 drapes per value level in the Red Drapes does not in any way relieve the analyst of a single aspect of the criteria in the decision-making process.
If Terry and I trained you, you know how to drive. You know what to look for in the Red Drapes. You know which colour dimension they measure, and how to get indirect information about the other dimensions. The new drape additions are optional. You have had experience with a client whose parameters are reacting well and poorly in both the neutral and pure cool, with no 100%. You appreciate that it may just be that the drape is warm-neutral and the person is cool-neutral. Leave them both in, confirm later with the 12 Tests.
No decision is ever conclusive till it’s confirmed in a variety of contests, at least two, hopefully more, even if the evidence is indirect. Colouring/Season is not fully described by the Red Drapes, as you know. Depending on where the colouring leans in their Season, on the particular Season to which each red drape belongs, and sometimes just analyst familiarity with that face, results may differ. You still need to apply full-strength interpretive skills to the Reds. And you still should spend ages on the Key and 4 Test sets.
These are very fine drapes. Very fine.
6 sets of Luxury drapes each were manufactured, with 15 drapes in each of 12 Seasons.
The earlier article is here, which discusses their multitasking ability. The client perceives their first leap from theory and swatch into real fabric. Although your Test Drapes contain more colours than the Sci\ART sets, the Luxury Drapes still have enormous value as Season confirmation for analyst and client. Great Test Drapes are good. Experience is good. A backup is still welcome.
3 sets remain.
No further sets are expected until February or later.
There are 180 drapes, all stamped and tagged.
Personal Luxury Drapes
This information has moved to a post of its own at http://12blueprints.com/personal-luxury-drapes/