Centre Stage is good but a bit light for my taste. It’s also a little dry which is good because it stays for hours and doesn’t move. A touch of Flash Bulb over the top and the result is more divine in appearance and wearability. I want lipstick till noon.
In a well-made up face, the eye is the focus attention, not the eye makeup. Neutral colours create the hills and valleys, the backdrop for the intensity, shine, and focus of the eye itself.
THE COLOURS (Lipstick, Blush, Lipgloss, Contour) Numbers indicate the closest match in the True Colour International Classic palette books. Note that some colours may yet move to other Seasons, once we gather more experience with how they work on various women. As with any makeup, buy nothing until you try it. —– New colours are brought … Continue reading Blueprints Lipstick, Blush, Contour, and Lipgloss
Associate/salesperson/makeup advisor sees brown eyes. Might mean warm. Red hair confirms it. Out comes yellow foundation.
True Winter and True Summer lipsticks exist on a continuum. There is movement between them. The True Springs and Autumns are totally different in cosmetics, except perhaps the odd brown eyeliner.
The science is so good that I can tell you what makeup to buy and your best hair colour from your results.
Does she look older? Is that a bad thing? All optical effects are a trade-off. A colour analyst could take any redness out of a face, though she would have to jaundice or drain the face to do so.
There is no reason to believe that foundation can be matched by Season, because the final colour is influenced by the overtone, the undertone, the idiosyncrasies of the face, the pH of the skin, and the list goes on for an hour.
This higher-than-usual contrasting True Summer can also wear bigger jumps from skin to lip colour, wearing her darker tones in the daytime very easily. She wears a near-fuchsia blush well, as Avon mark Dollhouse, which will read as too sharp, pink, and candy on a more blended True Summer.
In the first comparison, both Seasons find some things to like about black. The analyst cannot know what this is at the beginning. All they see is that both colourings improve somehow. At the end, we will understand that the Soft Summer wanted the darkness. Bright Spring wanted the saturation.