Soft Summer colouring has more muscle than the other Summer groups. Colours are more solid. Texture is a nice way to communicate this man’s strength and add variety to a monochromatic look.
We provide continued support for our students in numerous formats, but it’s not the same as being there. The analysts in our group have to be solid. The public needs to know and trust that PCA can be life-changing.
The analyst evaluates many markers, related to line, colour, and texture, and makes a better-than choice. The markers will not be the same in every face. A Dark Winter man may wear Bright Winter saturation fairly well if his colouring is intense, but his face might look very oily. Another Dark Winter man will lose eye energy in Bright Winter drapes but the complexion reflects light much the same between the two.
Among the Bright Winter test drapes is a gleaming dark sapphire fabric. Not only is it electric blue, it is very shiny. Nobody, but nobody, can balance that colour unless they are Bright Winter. It dominates even True Winter unquestionably. Myles wore it with ease, and without fidgeting the way men do in shiny fabric. He felt confident, attractive, and relaxed.
You might think that Light Spring is often confused with Soft Autumn, but in fact, it is Light Summer. The Light Summer colouring is muted enough to enjoy much of what Autumn offers.
Autumn has a muted rust, the opaque, heavy-feeling, quiet, solid brick. Even in a faraway Autumn blend like Dark Winter, the orange may have this same thicker, denser quality.
The choice of shirt is important. The aim is simple drama. An iceberg has simple, quiet drama. A circus does not, it has complicated drama. A day on a sailboat has no drama.