I am not a believer in narrowing down our palette. The Sci/ART palettes are already adjusted to be the right darkness, warmth, and saturation
Centre Stage is good but a bit light for my taste. It’s also a little dry which is good because it stays for hours and doesn’t move. A touch of Flash Bulb over the top and the result is more divine in appearance and wearability. I want lipstick till noon.
Believing in what we think we see, meaning colour matching, is why so many women are paying for less-than-best hair colour and can’t find a lipstick that looks like part of their face.
True Spring is a (2 colour + 1 neutral) or (2 neutrals + 1 colour) look. Actually, that’s probably everyone’s best way to use neutrals, but when you wear the 2 colour, they can both be equally sized if you choose (others might use 1 large and 1 smaller block), and they can be complementary or at least quite different colours (others would wear colours of the same family or neighbours on the colour wheel). When you wear the 1 colour look, make it a bright one, not one of the gentler ones.
To see what an artist saw, you have to look at the painting under exactly the same lighting conditions because every little thing around it affects colour. We only get to imagine that we know it for a moment.
Does the colour look like a natural extension of the head? In wrong colour, between the colour and the person is a disconnect, they seem disjointed. We want to keep complete integrity between who we are and what we add to enhance ourselves.
If you decide that System A resonated best with you, then stick with their products. Whatever they call the Season, if those were your most harmonizing colours, then stay with those colours. Buy their swatch book and hope it repeats the colours of their drapes very faithfully. Don’t be analyzed by A’s drapes and buy B’s Colour Book, it may not contain the same colours. In fact, you should assume that it will not contain the same colours. Stay with A’s makeup recommendations too because those are calibrated to go with the palettes of the individual system.
How many Seasons a PCA system has would have no influence over my choice as a client. Really don’t care. I put that on the Paying Attention To Wrong Things bus. What would matter to me is:
1. When the analysis is done, what do I know, what do I have, and how successfully can I use it? First, how accurately prepared is my shopping palette – the reverse of that being, how likely am I to make shopping mistakes?
Your colours don’t zigzag all over the place on any of those scales. They stick to a fairly close setting. Who has colours that are extremely warm and extremely cool at once, or very clear and very muted? Nobody. The genetic paintbrush was more organized than that. It decided what your settings were on the 3 scales and from there, faithfully picked the paints from your own personal colour wheel.
It’s also in how you wear your colours. A Dark Winter in a big block of light colour won’t look quite right. She needs darkness to balance it with the larger proportion of dark colour in her and set up the contrast that every Winter needs. If her complexion is very dark, that block of light will work better because the contrast will already be in place.