For all three Summers, the ability of adjacent versions of the same hue but differing values to appear 3D, to advance and recede, is central to understanding those Seasons. On Summer colouring, monochromatic colour schemes lose their flatness and give the illusion of a rounded, touchable image.
If anyone will stay up till 3 AM cleaning the basement, it will be Light Summer. With Spring’s energy and Summer’s deep dislike for disorganized clutter, the crawlspace doesn’t stand a chance. Summer will not expect the world to share her needs and she won’t be miffed if you go to bed and leave her to it. She can’t sleep while the kitchen’s a mess.
My Summer friends tell me they want more ooomph, they feel so blended. Tina brought up a great point about yellow in hair. Unless you came by it on your own, not only is it too yellow against your skin, it’s too light. The dewy deep pink blush goes out of your cheeks and you live in a NoRightColourLand between True and Light Summer.
In 12 Season Personal Colour Analysis, Soft Summer describes the colours that combine to create a natural colouring that could look like Katie Holmes, Kate Middleton, or Angelina Jolie. Various darkness levels, yes, but darkness level isn’t the TMIT for this group. It can slide up and down on the light/dark (Value) scale. What matters most about how they’re coloured and how they shop is that colour never gets very pure, bold, or saturated. It’s just a little hushed.
We look best when we wear the colours that already exist within us. We look best when we wear the lines that we are too. Round bones and muscular builds look fantastic in certain lines, not the same as those than straight bones or narrow builds. It always comes back to dressing who you are rather than seeing how close you can get to media’s stereotype.
We start with a Dramatic True Summer, a Season we’re used to seeing embodied in lines that are curved, flowing, watery. Maybe today’s model is the True Summer who says she wants to wear black and scarlet instead of her better palette. Maybe what she really wants and doesn’t know it, is an outlet that expresses the drama she knows herself to possess. All she can articulate is resistance and she assumes it’s to the colours.
Getting too colourful means her clothes compete with her and win. If colours get too dark, her skin will be drained and grey (and it will follow, who needs grayer teeth?) Remember too that viewers have a lot more colours to process besides your clothes – there’s hair, makeup, eyes, and that big block of skin – that aren’t in the graphic above. They will thank you if everything matches.
We’re trying to continue the flow between how you look and what you add to yourself. If you’re lighter, you’ll wear an overall lighter effect than a darker woman would. If your hair is dark and skin light, you’ll wear more lights with darks and not strive to incorporate a medium block. The overall palette remains the same, the one that made your skin the most perfect, that made you look youngest.
White white jeans will positively glisten next to the rest of the colours. They appear aggressive on a part of our body where that can send the wrong message unless that’s what you’re trying to do. Jeans in the very colour and texture of chalk would be perfect. No heat, no shine.
All of us emanate our own landscape in colour, feeling, and mood. When we wear colours as an extension of our natural appearance, and when those colours appear in the shapes and textures to which they naturally belong, we look plausible, logical, believable, possible, synchronized. You could say harmonious. To the viewer, it is the purest form of eye candy. It feels so damn good that you keep looking. We call that beautiful.