From where I stand today, these are the colours that I expect to be beautiful on most everyone of these colouring types, or Seasons.
Knowing your white might be the biggest payoff to having your colouring analyzed if you happen to be an Autumn, on whom wearing white every day is a series of unfortunate events.
Your whole face has to wear the yellow, or any colour, so you need to match the whole palette to it. If there are particular colours in your fan that you feel best in, match the yellow to those.
Wearing Bright Season colours doesn’t mean that you’re a walking flag, just as the idea that Dark Season colouring wears only dark colours is not true. It means that of the 3 dimensions that every colour answers to (warm-cool, light-dark, muted-clear), the one thing about yours that isn’t medium is its purity of pigment.
We can’t do sharpness of colour, since muted colour is a prerequisite of Soft Autumn. We can’t do sharp as darkness either. Soft Autumn is very soft, quite warm, and medium light to medium dark. It’s the lightest Autumn. You can easily read without turning on a lamp. Because it’s on the sunny side of Autumn, the colours feel bathed in late afternoon light. Not candlelight, that’s Dark Autumn magic.
We need some other expression of sharpness, the same one that the body itself expresses. That’s when our clothes make sense, when their lines and colours are the same as the body they go on.
With silver hair, I would think of wearing more grays than black. Aim for a lighter overall effect. Wear sheer cosmetics and the bold colours away from your face as purses and nail polish. Feel free to drop the saturation a bit but don’t wear pastels, whatever you do.
A Soft Autumn looks great wearing Autumn colours in Summer’s way (analogous, flowing, floral, soft). Dark wears her palette in the Winter way (bold, more contrast).
A funny, in fact almost frightening, thing happens when Dark Autumn’s spiced peach is put beside Soft Autumn skin, it sucks all the life and colour out of it. Then when SA’s soft coral replaces it, the flush of health and vitality returns like a whoosh, from the drape up to the hairline.
Patterns appeared to distract, distort, or just get in the way of a bone structure as delicate as Roseanna’s. The 3 colours at a time Colour Equation (this comes from the blue book, RTY Natural Colours, just in the right column on this page) depends on the woman and the print. If one of the colours is from the hair, the eyes, a neutral colour, or a colour elsewhere in the outfit, any of those would reduce the colour busy-ness and perhaps allow the majesty of this face and body to take center stage where they belong.
In my head was ultra-ultra feminine with a round shoulder. I set out to dress a modern day Marie Antoinette meets Pin Up Girl. No, too corseted. Victorian meets PinUp Girl worked till Victorian became floppy. Once it pulled together, I had more feeling of luxe boudoir, almost a sultanah effect at times, a lot to do with the colour palette.