Soft Summer’s Gorgeous Colour and CEs
April 7, 2012 by Christine Scaman
Many a newly identified Soft Summer figures this is it. Forever.
It’s fine and everything but so, you know, safe. That’s Soft Summer with some good building blocks, but an overall effect that’s a little too generic light grey.Where’s the excitement? Where’s the fabulosity?
Many (all?) clothes need to hang on the right body to come into their own. Soft Summer colours are pearls when they find the right skin. This post in the hope that one day, women will secretly wish to be a Soft Summer and be thrilled when their colour analysis lets them claim the palette as their own. It comes from imagining how even the most casual outfit has such elegance of suggestion and impression. Much of what was said about Romantics in the previous two posts caused me to realize that I could equally well have been describing the colour effect of the Soft Seasons. Of course, Mr. Kibbe describes this in his book, where Yang colours are vivid, dark, and matte, while Yin colours are soft, bright, and glossy.
Our subconscious is the playground between what we understand and try to control and what we can’t. It speaks in the language of colour and shape, which translate to symbol and feeling. Thought is Yang and intuition is Yin (just IMO, not research). Thought could be subdivided into linear, directed thought (more Yang) and the deliberations of abstract thought that deliver information disconnected from time and space (more Yin). Soft Summer’s colours always create very strongly in me a nebulous, shimmery sensation of being in an unreal place, a manifestation of the abstract mind, the ultimate right brain landscape. Ghosts of shapes and whispered sounds seem to move into sight just above a watery surface then fade back under to another form, like apparitions. I have to apply effort to see anything else when these colours together are in front of my eyes. I always sense an incredible balance between intellect and emotion in this person too, as if they live in that mind space where Yin and Yang are very intertwined. Imagine a Soft Summer Romantic! Wow. Now there would be gifts you’d want to tap into.
Sometimes, women try out various colours in clothes or lipstick as they try to find their own colouring among them. They’ve read to use the extremes for this test, those colours no other natural colouring, or Season, would wear as well. For Soft Summer, they find that grayed mauve lipstick and a grayed pink cardigan and take photos or ask friends and family.
Unless the former lipstick colour was crimson, it could be that folks can’t make the adjustment that fast. Especially if you still have your old hair colour, which sends every colour perception about your face and cosmetics off to the four winds.
Soft Summer may have it the hardest because they keep hearing the word grey. When you’re not sure of the degrees, there’s a tendency to over-grey. As a short rest from Kibbe Seasons, now that simply Season Polys are a snap (or almost, Bright Spring Neutral Colours still experiencing delays), here are some Soft Summers Polys enjoying my vision of a colour palette whose peaceful beauty and gracious sophistication has no equals.
In 12 Season Personal Colour Analysis, Soft Summer describes the colours that combine to create a natural colouring that could look like Katie Holmes, Kate Middleton, or Angelina Jolie. Her basically Summer colouring mingled with a bit of Autumn’s light, so a Neutral Season. Various darkness levels, yes, but darkness level isn’t the TMIT for this group. It can slide up and down on the light/dark (Value) scale. What matters most about how they’re coloured and how they shop is that colour never gets very pure, bold, or saturated. It’s just a little hushed.
This is getting livelier.
Below, the incredible burgundy raisin of the palette, the elusive yellow, some good light to dark graduations that get a second look when done in snakeskin.
Still more colour, more saturation, more colour variety, keeping the flow by repeating versions of a colour rather than the copy colour. The scarf on the right has some olive beige, so fold it to hide that and wear it as a belt.
If music is the art of thinking with sounds, then our appearance can be the art of thinking with colours, in the shapes attuned to the music of our own geometry. I feel the new challenge coming on of creating all 13 Kibbe styles in one Season’s colours.
The outfit on the right was feeling metallic, in the cool stiff way of aluminum, but I liked it. The scarf is there to introduce the feeling of softness with folds and flowers and add many more colours in small blocks.
From Return To Your Natural Colours, the blue book near the top in the right margin, this section appears in every Season’s chapter. For you to see what lives in my imagination, it needs some illustrating.
- One light to medium-dark colour + one medium dark to dark colour
- One medium-dark colour + one dark colour
- One light to fairly dark neutral colour + one light to medium-dark colour
- One light to medium-dark neutral colour + one medium to dark neutral colour + one colour in smaller area
- One light to fairly dark neutral colour + one light to fairly dark colour + one smaller colour block comprising all three colours
- Monochromatic, analogous, or gentle complementary colour combinations.
- Overall medium to medium-dark effect
You see that it never gets very light or very dark. Complementary colours appear as reds with greens or blues with oranges as the 5th from left (where the orange is a very light beige made from a base of orange, dropping its value and saturation enough). The overall feeling is more cool than warm but not fully cool. You can sense there is heat here.
It’s bluebells in a drizzling rain, a lake in the Scottish Highlands, the coastline of British Columbia, a California winery when the fog rolls in. In Photoshop, the saturation doesn’t go over 35% when I make Soft Season colours. To give you perspective, Dark Winter’s are about 75% to 90%, True Winter’s are 83% to 93%, and Bright Winter’s run over 92% and most of the time over 98%.
For that last outfit on the R, I coloured the top and bottom blocks as analogous (green and blue are beside each other on the colour wheel). I imagined a colour halfway between the two for the handbag – because any colour that you could imagine as being between two of your colour analysis swatches is also most likely in your Season too. The scarf/neck detail is Soft Summer’s orange, bringing in a complementary effect.
As always, you own the Colour Book, you own the system. All the theory has been worked out for you. You mix them anyway you want to, your appearance is still a smooth even ride that others are happy to take.