Pam Is a Dark Winter
November 4, 2009 by Christine Scaman
Pam is a real woman who lives in the real world. Like the majority of women, sheâ€™s gorgeous and doesnâ€™t know it. She doesnâ€™t have time to dwell on it anyhow. She has a family and a job. She hasnâ€™t been in school for 7 years but itâ€™s been hard to find time and money to spend fussing about her looks since then. Pam has become a confident, interesting woman. She doesnâ€™t want to look like a student anymore.
True and Neutral Seasons
A PCA (personal colour analysis) session devotes a fair bit of effort to sorting out whether the person is one of the 4 True Seasons (True Spring, Summer, Autumn, Winter). We knew right from the start that Spring was going to be the worst of the 4, and that probably included any of Springâ€™s blends. There were heavy brown shadows under her eyes and her skin was yellow, with too much redness in the nose.
Summer was manageable but Winter was better. Autumn and Winter were about the same. The intensity of her eye colour was dramatically enhanced in the Autumn drapes but her skin was unevenly yellow.
The Red Drapes determined that Pam is neither a purely cool season (Winter), or purely warm (Autumn). In the neutral drapes, we began to see how remarkable Pam could look. I LOVE this part, because one of these red drapes is going to so click that Iâ€™ll take one look and think â€œoh, boy, this is going to be amazingâ€.
When we like the skin effects of one season but the eye effects of another, the skin wins. This endeavor is always about creating the most perfectly illuminated skin, cleared of yellow, ash, ruddiness, shadows, or blemishes. Pam is very clearly a Dark Winter.
The photographs show calm, evenly coloured skin. Yes, Pam has skin to be envied. But Pamâ€™s also a Mom with 2 young kids. She doesnâ€™t sleep well every night. Still, in her perfect colours, you can see the luminous, flawless, poreless, Snow White skin, the white teeth, and the crisp whiteness of the white of the eye.
Pamâ€™s colour memo to the world
You know that Iâ€™m all about how colour FEELS. We react to it because of how looking at it makes us FEEL.
Look at the expression in her eyes. She FEELS comfortable. These are the colours that she recognizes BECAUSE they live inside her already. Pam is experiencing what itâ€™s like when colour speaks for you. Itâ€™s telling the world who she really is and it feels familiar, like a truth youâ€™ve always known but have never heard spoken before.
She is easing into her Winterness. Winter is not an informal, casual, or scruffy season. The individualâ€™s energy is tailored, simple, and elegant. She will completely dominate overly relaxed clothes. To the viewer, that would FEEL like â€œhard on the eyesâ€ because of the continuous conflict with Pamâ€™s own energy. This season is not frilly or fussy; if anything, it borrows a little of Autumnâ€™s masculinity and adds a faint menswear touch.
In Winterâ€™s appearance,Â there is no movement, playfulness, or softness. You can see why these colouring schemes were named after the seasons. Outfits in a single dark colour convey the dark and serious look. Details are minimal or absent. When present, they are simple and expensive. Dark-light contrast should be extreme. One colour garments that repeat the hair colour are truly majestic. Nobody can compete with the power of this look on Dark Winterâ€™s energy.
These colours allow her to look as she is. Pam is calm, a little remote, a little shy, but now, she is aware of her beauty. She is a little formal. You wonâ€™t know everything about Pam in the first hour. This is very typical of the Winter character. Add a little Spring to Winter, and you up the emotion. Add a little Autumn, and you increase the determination. Pam does not back down.
She looks a little detached. She looks aristocratic. Pam wonâ€™t carry off a beach blonde look. Sheâ€™ll look odd in exotic prints and fabrics. She isnâ€™t made for lavender and lace. That would look almost crazy, like putting a True Summer (say, Bo Derek) in a manâ€™s suit and plaid shirt. So, instead of jeans and hoodies, Pam is empowered to know what colours will intensify what is special and distinctive about being Pam.
Dark Winter makeup and hair
Pam usually wears no makeup. It feels too fake, too dark, too conspicuous. That is not who Pam is and it feels clownish. In these pictures, she has a dab of concealer blended with moisturizer under her eye. She is wearing a fair bit of blush to add some life and shape to the face. Eyeshadow Â (medium-dark cool gray-brown)and eyeliner (black-brown) are minimal. The final touch is a plum-brown lipstick, covered with a Caramel gloss to tone it down so she wonâ€™t feel too obviously made-up. This is beyond movie star skin but it looks natural. It took 5 minutes, 5 products, and it looks effortless and real and natural.
Pamâ€™s hair is a dark ash brown. What would highlights do? The same thing they do to any Winter. They look terrible. The whole dark force is disrupted with light stripes. The same thing happens when Winter wears light, frosted lipstick. They look flat, chalky, weakened.
Does Dark Winter have a lighter side? Oh, yes. It’s just a little contained.
Your colour feeling
The trick is to find what you CAN do, what is consistent with who you are inside. Why is that so hard to know? I wish I knew. Why is it so hard to know your deepest obstacles, those you put in your own way, since thatâ€™s where most of them come from anyway? I donâ€™t know that either.
After a lifetime of playing it safe, you have to ease into saying so much about yourself. As Marianne Williamson said â€œIt is not our darkness we are afraid of. It is our light.â€ Many people are wearing someone elseâ€™s clothes and spending a lot of time and money to send out signals that detract from who they really are. Many others are trying to send out no message and render themselves invisible, so they live in comfort clothes, but thatâ€™s an equally detracting memo about who you could be. In the eye of the beholder, both say â€œdoesnâ€™t feel good, look awayâ€.
Colour is deeply imprinted on human beings. With an understanding of your personal palette, you develop an understanding of how it feels FEELS to be you.
Use of Images
The images contained in this article are of private individuals, not celebrities. I consider the permission for me to use them as a privilege. It is my intention to protect these women’s privacy and generosity. If you use any of the photos without permission, I will seek legal counsel. I do not want to have to reduce the beauty and detail of the photographs with watermarks.
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