Light Summer CE And Being Not Pale
January 16, 2012 by Christine Scaman
Keep in your mind who we’re putting these colours on. Next to a cross-section of the population, this person is pale. But let’s call it light, since pallor implies ill health. Sharon Stone, Meryl Streep, they will be overall lighter than most people you put beside them. Their darkest colour never gets very dark.
The Light Summer person is light to look at standing in front of a black wall. But not always. In their natural beige brown hair and eyebrow colour, they look more medium till you start putting colour next to or on their skin. Then you notice that the lightest blusher that would be invisible on most women has a huge effect. To balance and not overtake, their closet is light. Light needn’t mean a bowl of dinner mints. How does a rainbow dress to look interesting and impacting? First, see yourself through others’ eyes.
Nobody complains about looking at rainbows. They feel fresh, hopeful, soothing, and happy. Let yourself be who you are and get media perceptions about power out of your way. The clothing, weight loss, anti-aging, personal growth, and cosmetic industries can get you to buy more stuff if they can convince you there’s something wrong with you. It’s cheaper for them to make clone colours. Please believe me, there is nothing wrong with you. In your light colours, you are breathtaking. The sun shines out through the sky and water of your eye colour. That is such a special magic and few are capable of it.
I had a very beautiful, natural, easy Light Summer client. She arrived quite certain that she was a Winter and was going though the motions of a PCA just to confirm it (and come to find out, she had recently bought light blue and peach Capris just because.) Part of her Winter conviction came from seeing her facial structure as strong or intense, which it was, more in keeping with her ideas about Winter. When I think of Spring Summer blends, fragile doesn’t describe their bone structure – or anybody’s bone structure, for that matter. Meryl Streep (whom she greatly resembled), Sharon Stone, Joni Mitchell, Carmindy, Ivanka Trump (perhaps a stronger Spring), these faces express far more than daintiness. You’ll see many fine-boned faces among all Seasons. Media’s convenient typecast of power as dark, intense, and masculine is very far indeed from what power really is. It’s important to distinguish power from intimidation, the cheapest form of power. And like all things cheap, it is neither sustainable or enduring.
Light Summer is a Summer above all. She likes precision and dislikes clutter. Like True Summer, her personality is considerate, and to a lesser degree, can work the details all day and all night, and be uncompromising about getting them right. She is not really stubborn, just striving towards an idyllic vision that’s almost romantic, as in Utopian.
We often think of ‘feminine’ for True Summer, all lace and flounce, but that’s not quite the right adjective. Womanly is better. Moon goddess. Fertile (her version of earthy), giving, patient, complete (hence the circle symbol). She can be very sentimental though the first interaction may be quite formal. Relationships, wisdom, and intuition are nearer her heart than raw intellect, which on its own strikes her as unkind, one-dimensional, and too boringly linear, logical, and external.
Spring’s arrival brings the potential for a little more giddiness. She’s more cooperative, happy in the middle ground, and so easy to get along with. She loves a laugh and takes life less seriously. The sun is coming out. She has humour, self-directed humour, the single best entry ticket to self-knowledge. She doesn’t get all the way to the stronger Springs’ “If life’s not fun, what’s the point?” but she does think “Why can’t everyone just lighten up and get along? Why did God even make Dark Winters? They’re missing all the good stuff.”
She embodies the simplicity of just being pretty. A little cute but mostly pretty. A face like a doll. Christina Applegate. Light Summer is not tough or rugged, it’s tender. Not stern, it’s lenient. Not funky, but still informal. Life can get so complicated, but not here. This is the afternoon off, the nowhere-to-be day, the tell-your-troubles-to person.
Light Spring is creamy, Soft Summer is foggy, True Summer is cool and misty, Light Summer is sunny and barely misty (or do I mean myst?), like a Once Upon A Time land. The rainbow when the sun comes out. Flower petal showers. Trees always in leaf. The lightest dusting of sugar sprinkled all over, a Cotton Candyland (Light Spring is the Jellybean Candyland).
She wears the light taupe shoe well because her hair is light taupe. On this woman, it actually does elongate the leg.
She may carry a green purse and she’d probably even go about in green pants. Light, fresh, and fun.
Warmth? Cashmere. It comes in so many colours. Likewise, fleece. It floats.
Wash those white pants with your darks to soften the white a bit.
A serious colour? Add a girlie colour.
A lot of light? Add a darker colour in a small area. Sunglasses count. Cool frame, cool lens, light hardware.
The light colours aren’t that light. Winter’s are even lighter because they’re not pastels. Make big use of your medium range of colours to move away from the pale feeling.
Squint to blur the details and you see dappled light, the perfect light on Light Summer.
Could drift away like a thistle on a breeze.
The dress on the left, too dark? Maybe so slightly. Reminded me of bunches of grapes. Good colour flow. Wear a light shrug or Pashmina and a fun shoe. Carry a light purse. Impact without consequences.
Turquoise ruffled blouse too saturated? Maybe. Don’t care. Love the colour on this person and I see it on them just fine (rather than not seeing them in a too-much colour).
Those blue capris, that’s darker and more saturated than your navy. The pants will be what people see so the area will get bigger by proportion. The V-neck top to the right of the yellow dress is better. But, they work well enough. If you look at the whole picture, they don’t jump out.
The fun juicy accessory. Why not? So people see your Miu Miu pink coral clutch first (in the outfit along the R side.) So what. Wear your matching lipstick and carpe diem. Light Summer has that Spring fun element. True Spring is the Hawaiian luau. The luscious scent of the lei, the side to side sway of the hula dance, all about relaxed mood, hips, deliciousness, and fun. Light Summer might not get that unfastened but she’s Spring enough for the hair to come down.
I love when Neutral Seasons (those groups of natural colouring whose inborn pigments are neither 100% cool or 100% warm, but have in-between colouring on the heat scale) demonstrate both Seasons they’re composed of. Wearing cooler and warmer versions of their colours together, as a cool pink lipstick and a light gold lip gloss, is an example. It gives them dimensionality. I also love when they wear both esthetics together. A Soft Summer looks superb in lace (Summer grace) and denim (Autumn strength). A Soft Autumn is beautiful in a flowing scarf (Summer water/flow) and cowboy boots (Autumn leather/desert).
Light Summer’s elements are Summer (graceful, water, feminine) and Spring (sun, movement, sport, play). I love ballet effects (grace and sport) as wrap tops and skirts, ballet flats, scoop necks like leotards, or body-fitting fabric in pretty colours. I love prints a lot, that can show the dewdrops feeling and depict motion with the body’s movements. Outdoor combinations that repeat water and sun, as any kind of sun hat, floppy to baseball to gardening, are great. Small sparkly stones near or on another colour are beautiful, raindrops on roses, as beading on a cardi, better in a wave, or a necklace against a blouse, or an earring near a rose lip.
I was asked how a True Spring expresses two energetic states at once. I haven’t come up with anything because there is only the one energy. That seeming rivalry isn’t there. But there are many ways of depicting the sun and on a True Spring, there is almost no such thing as clutter. A yellow or turquoise Swatch, several beaded bracelets, a necklace of turquoise beads and another of different length with a cluster of small gold charms, all three at once, it just looks better and better. Keep sunshine and colour near the eyes at all times.
In the each Season chapter of the book, there’s section called Colour Equations. To help you see what was in my head when I put those together, and I appreciate that illustrating them is needed, I’ve pasted that section below:
One light, medium, or dark neutral colour + one light colour or one medium colour
One light to medium-dark neutral colour + one light colour + one medium colour
Two light to medium neutral colours + one other colour as a smaller block
More restrained use of complements as gentler colours or smaller areas
Use of analogous colour combinations, moving towards True Summer’s monochromatic designs
Overall light to medium darkness effect
I was seeing this:
Is it pale? Well, compared to what? Dusk? Yes. All the black in the stores? Sure. The person we’re putting it on? No.
Does it still feel too light? Add a darker block and keep it smaller. People will see it.
There’s a fair bit of colour variation but still continuity between colours, because that’s what this person looks like. Mixing up the colours even more than what’s shown looks really good. Keep a balance. The more colourful the look, the gentler the colours should be. This isn’t something to worry about if you have a Colour Book of swatches, the gentleness levels are built in.
My thanks to Natalie who pointed me to Alima Pure’s line of cosmetics. The eyeshadow and foundation selections are beautiful, with many choices for Neutral Seasons. Under Products, choose your category and when the page opens, click View Swatches. You’ll see the whole panel open up for comparisons with colour accuracy that appears very good. I can’t recommend particular colours, having never tested them, but if you have experience with this line, please do leave a comment.
If we’re dressing to repeat how we already look (and we are because it feels good to the viewer), the overall effect shouldn’t get darker than medium on a white to black scale. Big light blocks can look bridal or sterile, not right on a fun-in-a-quiet way, optimistic, and cheerful person. Getting too saturated or busy with colour means her clothes compete with her and win. If colours get too dark, her skin will be drained and grey (and it will follow, who needs grayer teeth?) Remember too that viewers have a lot more colours to process besides your clothes – there’s hair, makeup, eyes, and that big block of skin – that aren’t in the graphic above. They will thank you if everything matches.
How could I forget the music? From classical ballet origins in True Summer and then loosened up when Spring appeared. Spring brings magic and mysticism, freedom and imagination.
Proving that anybody can make fire:
Too hot for Light Summer? Maybe that’s Light Spring’s and we need something dreamier? A reader felt a connection with this very beautiful harp music.