The Colour Analysis. What Happens? What Do You Get?

September 22, 2009 by Christine Scaman · 2 Comments 

Qualms

The idea of having your colours analyzed sometimes meets with fair skepticism. I get that. First, you’re wondering if it’s a gimmick and whether you’ll just end up wasting money. It didn’t work overly well in the 1980s. What makes 2010 so different? (That question, and  many others, is answered in PCA FAQs.)

The possibility that a change might be asked of you also creates a little hesitation. I get that too. Your suspicions are correct. Change (is Progress a better word?) will be asked but you can choose to make it as big or small as you are ready for.

Girl's eyes.

Another source of doubt comes from the uncertainty about what actually happens. This is especially so among those who too young to remember the last big wave back of 4 Season Colour Analysis in the 80s.

Back then, more women figured out their season from a book than from an actual draping, so the whole notion of the drapes is quite foreign. The process has been refined to make it far more scientific and extremely accurate. The advent of better colour pigments and reproduction processes produces a swatch book that is light years ahead of what it used to be.

This is what happens.

You are in a grey room. You wear a grey cape like a hairstylist’s cape. I wear a grey coat. Your hair is hidden by a grey hat. I prefer to hide my hair as well.  I like there to be nothing going on in the room colour-wise except the drapes and the reaction they provoke in your skin.

Your face is lit by lamps like those in a photographer’s studio. They emit a full-spectrum light, meaning that they render every wavelength (colour) of light accurately. The overhead lights are turned off.

Reflector for Full Spectrum Light.

And away we go.

It begins with coloured boards over which we float your hand. It allows people to start looking at how skin responds to colour. I’ve had women pull their hand away like it was burned when the colour of the board was changed. What they saw was their hand age 20 years before their eyes.

Then it’s on to the drapes. The drapes are the size of big bath towels and we lay them across your chest. It takes time to see how each person’s features will respond. Will they toggle between old/young, oily/glowing, rough skin/smooth skin when the colour is changed from bad to good?  Or will it be something else on your face?

The drapes.

(The colour reproduction has been altered in these photographs.)

There are 21 sets of drapes used for the analysis, and each set might have 3 to 5 individual drapes in it. We would normally use about 12-15 of the 21 sets to arrive at the final answer.

We spend a lot of time at the beginning deciding whether you might fit into one of the 4 True Seasons. We move through a precise system of drape colours and see the response in your skin.

Reactions

I have had people who feel wrong colours to the point of feeling nauseated and asking me to change them quickly. For them, as for me, colour is something they FEEL. Some people see no reaction in their skin whatsoever.

I’ve had women in whose skin I could see little reaction. They make me nervous. I’ve learned to keep going. The drapes will tell me if I’m patient.

Some find the process hypnotic and fall asleep, like a moving meditation. Others provide huge feedback and see the reaction before I describe it.

Some disagree with me. Most don’t. Good thing. I’ve learned to trust myself.

Some people are so clearly of one Season that they’re easily analyzed. Some straddle two neighboring Seasons so evenly that I have to work harder to decide which side of the border they fall on.

Target

What we’re really trying to do is determine what the colours that look most perfecting on your skin tone have in common. They will compose your personal colour palette. Are they light? How light? Are they light and dusty? Or dark and dusty? Or medium in light/dark, medium in clear/soft, and medium in warm/cool? For instance, you could call these pictured below Light and Cool-ish and Clear-ish.

Light drapes.

Once we have you pegged to a perfect season, we move on to a different set of drapes. Known as the Masterpiece collection, these are 15 drapes (12 different sets, so one for each season) of your most gorgeous colours and your most stunning fabrics.

I tell people not to look at the drapes. Look at your skin. The first time people see the colours, they can’t help but look at them. Yes, they are very beautiful, but very importantly, people FEEL a sense of recognition or familiarity, of having been truly seen.

The Masterpiece collections.

We end up looking at the Masterpiece drapes about 5 times. The first time, you look at the colours. The next time, look at your skin. The third time, think about becoming acquainted with those shades in stores, and appreciating how they make your face look. You will learn to recognize the effect in dressing room mirrors even if you’re not sure about the colours themselves. That takes time.

We let your hair out of the hat and look again. If the beautiful skin effect is lost, then your hair colour is wrong.

We put on makeup for No. 5. Even if you don’t wear makeup, it’s worth doing this. Colour-analyzed cosmetic colour ratchets the whole transformation up that much higher.

Aspiration

You will see yourself as you never have before. You will see yourself as you could be, every day.

Result

Or, What Do You Have When You’re Done?

You have

  • the knowledge of your position among the 12 Seasons
  • a complete understanding of the best shades of every colour that is perfect for you and how to recognize them in clothing and makeup
  • a Colours Book of 60 colour swatches, exclusive to your Season only, with which to choose clothes and makeup,
  • an 8-10 page PDF document for your Season that describes the particular radiance and edge of that Season, the clothing style that suits you and your colours best, how to choose hair and makeup colours, the pitfalls to watch for, the perfect jewelry, the colour combinations and power look for men, and a segment on personality traits very common to people of this colouring.
  • a list of the makeup, including brand name and colour, that you should be wearing in blush, eyeliner, eyeshadow, mascara, lipstick, and lip gloss – to help you get started, as your eye learns to pick the makeup that looks custom-coloured for you
  • the revelation of having seen yourself as you never have and the knowledge of what you are supposed to look like – your own easiest, most authentic beauty
  • the power of knowing what NOT to buy and which trends to bypass (or how to customize them for you)
  • the first step of a journey of self-discovery about who you are, and how to use clothing and makeup to tell the world about the real you. This is the “life-changing experience” people describe about Personal Colour Analysis.

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