Bright Spring Neutral Colours and CE
April 22, 2012 by Christine Scaman
Colour analysis is interior decoration of the soul. If we could extract our soul from our body and stand it beside us, would the two be the same? How beautiful is it when the things we wear are like a window that lets others see to our ocean floor from high up on their own mountain road.
So Bright Spring. Here we go. This Season…this ode to the magnificence of colour so beautiful, a heart aches.
The knockout that is Bright Spring, this woman often looks formal and dark. Once she recognizes you, her smile lights her face and she exudes warmth and charm. She looks much more complicated than she is. You expect her to stand on ceremony and convention but not at all. Her personality is quite informal. The simpler things in life make her truly happy and she knows how to pause and recognize them.
In 12 Season personal colour analysis, the Bright Spring is the person whose natural colouring is based in Spring’s spunky, sunny colours. Winter added a bit of its blue and red, but her inborn colours are not nearly as dark and detached as you guessed.
Like the fox, the seahorse, and the swallow, she’s busy when she’s standing still. She is sharp, delicate, and quite sweet, like spearmint. The yellows, oranges, and browns in her eyes (and Bright Winter’s) are the glowing, pure, peachy red-browns of the animal below, which we’ll see later in dark carrot pants and clear topaz stones. There is no sense of weight, darkness, or toughness. Quite the opposite, she reminds us that the most generously coloured life forms and ecosystems are the most fragile.
Thanks to Heidi for helping set the stage for us. It looks like Winter but it so is not. It’s young, modern, energized, over the top, waiting to dance, exaggerated, and it never stops moving.
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Bright Spring Colour Equations
In the book Return to Your Natural Colours that you can see pictured in the right column above Recent Posts, a chapter is devoted to each Season’s persona, natural setting, relationship with the other Seasons, best styles, textiles, cosmetics, hair colour, and jewelry. There is also a section called Colour Equations (CE), a conceptual bridge between the Colour Book of swatches that you take to the store and how to translate into colour combinations. The CEs are helped by some illustrating.
Cheat Black In
No point pretending it won’t happen. And why not, but go easy. This isn’t a green light…and don’t accelerate for the yellow, it’s about to turn red.
Use the smallest real estate possible for the black and not right under the chin. Open necks are better. Just let black bring the picture into focus.
Break it up with a lively print.
Add animation as shine, details, and accessories.
Give the eye distractions. Use pure, juicy, colour so delicious that it can’t get bogged down in the black and keeps moving along.
If there’s black in the top, consider not wearing it in the bottom too – as the triangles top with the light pants. At its best, this look isn’t overall dark. Still, black and beige just can’t pick up any speed and on this woman. Compared to her, the clothes seem to be moving in reverse. The look is not creamy or gradual, because the woman never is.
Few Bright Springs probably guessed their Season right. They’ve lived as Winters for years, or some kind of Summer. Darker outfits (blue purse outfit on R) can look quite fine but serious and Wintery, where light is being pulled in. Take the same top and add light in everything else, white pants, yellow shoes, transparency in earrings instead of density – I think it’s better. Spring emits light.
The two models lower L – the blonde girl (perhaps a Light Spring) shows a dull way to wear black. It’s trying to own her. We lose interest in the girl and seem consumed with negotiating the black block. The woman to the R, very possibly a Bright Spring, wears similar colours in clothes with less weight and more movement. Bright Spring is not a heavy look, it’s like aluminum foil.
Like her Dark Autumn look-alike, Bright Spring is much better in black and cream (DA’s being a far darker browner cream) than in B&W.
If you wear black, choose warmth in your other colours and accessories. Silver looks more Winter and a little dry.
Green dress/yellow purse in the center – this print is quite random for a Winter person. This could feel unbalanced or zingy on some Bright Winters, and just perfect for the show biz energy of others.
Darks with darks can look too dark. Build an office look with greys. Add interest and entertainment, like the pink purse at the top.
Even Grey Should Be Fun
Light and energy must come out of it. Vivacity is always present in the face, the eyes, and the movements. They are quick and neat.
Textures and edges are smooth and shiny because the person is. The control of their Winter side won’t let them appear shaggy, haphazard, or erratic. They do look unpredictable and spontaneous. The song “Shiny Happy People” was inspired by Bright Spring. The cardi at top L is Lurex and you can still add colour and fun with the beads.
Every woman works out her best use of contrast on her own, it seems. A general rule for this group is to keep it high and clean. Outfits in various versions of the same colour don’t usually make sense (unless contrast is very high and/or edges very sharp), meaning distance between colour types and darkness levels is quite high. If she is older, the coolest looking lady at church with her white hair, dark brows, and turquoise eyes, she’ll bring these closer together to repeat what she looks like.
There is no true red. Here, we have clearest orange, many pure lipstick pinks, fuchsia pinks, and purple pinks. Red only appears in the Winters but you can cheat that in too. That red pants outfit, lower L – cover the silver watch and look at it. Then cover the gold watch. Isn’t that intriguing, that shift in what the eye notices?
Notice that the beiges are very very pale light, barely yellowed, not earthy browned. Rather like ‘icy beiges’.
A full grey dress (middle top) needs to be jazzed up with more colour. Sunglasses like those are small but they’ll get noticed and will hold the viewer’s gaze and attention.
Gold is good. Not too hot (yellow), very shiny.
If you look inside your eyes, many will see those dark carrot pants. So will many Bright Winters.
At the center of the lower band, see the girl in the grey blazer, two-tone shoe? Let your eye travel from the earrings to her face and across to the tank top. See all the repeats?
Watermelon and moon slices, outfit R side : On a person who looks polished and streamlined (your weight has nothing to do with it), pick jeans that are the same. Next to you, faded can look like a rag. Too dark is better than dusty, wrinkled, or patchy. Keep them ultra smooth and classy. And if you want to wear leopard stilettos (or flats), please don’t let me get in your way. It looks better than most other things.
Detail + Innovation + Restraint = Originality (Sp) + Discipline (W)
As you overview the collection, can you feel Winter’s presence? It causes Bright Spring to have a much tighter way of moving the body than the relaxed and unconfined True Spring.
Mixing silver, gold, and other shiny metals is fine.
If you wear black, taupe, and beige, make the print electrified and the cut, cough, distracting, as the dress in the top R.
Black and white have tipped over to Bright Winter, perhaps more so in the colorblock print at lower R, regardless of how hot the other colours are. Try to avoid pure black and white together. If you wear one, don’t wear the other. B&W only really looks good on True and Bright Winter. Even the Dark Winter could think twice unless she is very cool in her colouring.
Pure stark white pants are one of those items most of us must think about carefully. To me, they look right on the True Winter, Bright Winter, Bright Spring, and that’s about it. Take pictures of yourself and look at them yourself. You can see oh, so right and oh, so wrong within seconds. Light shoes are pretty good despite having dark hair if contrasting with the clothes. Not white pants and white shoes.
Don’t get too matchy. You can be as Classic-symmetric or Gamine-irregular as you body’s lines dictate, but keep the humour good, free-spirited, and lighthearted. Even at a meeting, as outfit L side, keep shine and design interest in a grey jacket, wear a pink but simple watch, add dangle and sparkle in the earring.
Bright Spring = Lighting the Darkness
The icy blues and greens dress at top R – yes, it could be sunnier. Maybe this is cheating white. Wear pale gold earrings so as not to cool it further with silver. It could be more contrasting but that bit of black looks more at home on Bright Spring than anyone else. The print could be less watercoloured. Whatever. The dress is beautiful. Imagine seeing that woman on the dance floor. This is heart-stopping beauty that no other natural colouring could wear so well. Don’t take my suggestions too literally. They can’t apply equally to thousands of women. Make it work for you. The dress is also an example of high saturation light colours (Spring), without being so close to white as to be icy (Winter). We often hear “high saturation” and our imagination shoots right up to dark sapphire. High sat means not softened with gray.
Our red is a wardrobe neutral too, more out there than taupe but equally versatile. For the three Springs, traditional neutrals (grey, beige, taupe) can be too monotonous, like a dial tone voiced over a wind chime or a water cascade. No match found. Wear your colours a lot.
Consider making the clothing coloured and the accessories grey/beige/taupe.
Details are good. Orange starfish (with diamonds), not orange balls. A shiny cap on a toe. A star shower, not a single star.
Could Miu Miu be the designer? Something about this colouring is so very young that anything remotely kiddish accentuates a feature that already comes across very strong and you might not want at the office. I’d leave ribbons, little animals, peace signs, and hearts for after work or to the Seasons who could use some de-formalizing, especially if they work with the public. On any Bright Sring, the Winter aspect lends a seriousness and maturity that may not suit very young additions perfectly, but they wouldn’t be as out of place as on Dark Winter.
Springs have known all along that life really is this much fun.